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Maayan Sheleff & Sarah Spies

(Un)Commoning Voices and (Non)Communal Bodies

Maayan Sheleff & Sarah Spies
(Un)Commoning Voices & (Non)Communal Bodies

 

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ISBN 9798744646660

 

(Un)Commoning Voices and (Non)Communal Bodies takes as its starting point the project Un)Commoning Voices and (Non)Communal Bodies, curated by Sheleff and Spies for Reading International, UK (2019), which included artworks and workshops by Zbyněk Baladrán, Željka Blakšić, Marco Godoy, Chto Delat/Dmitry Vilensky, Noam Inbar and Nir Shauloff, Jamila Johnson-Small/Last Yearz Interesting Negro and Fernanda Muñoz-Newsome, Mikhail Karikis, Tali Keren, Public Movement, Michal Oppenheim, Rory Pilgrim, Jack Tan, Nina Wakeford and Katarina Zdjelar.

Looking back at the project from within the pandemic’s viral choreography, with the forced distancing of bodies and further silencing of already marginalized voices, alongside the simultaneous performative enactment of transnational solidarity, the contributors respond to the ongoing crisis within a wider timely context. The publication includes texts by Susanne Clausen, Susan Gibb, Edgar Schmitz, Maayan Sheleff and Dr Sarah Spies, and a transcription of a conversation between Florian Malzacher, Maayan Sheleff and Jonas Staal.

The curatorial project (Un)Commoning Voices & (Non)Communal Bodies is part of the PhD in Practice of Maayan Sheleff and Sarah Spies.

PhD Publication Series
The PhD in Practice in Curating, a joint doctoral program of the University of Reading and the Zurich University of the Arts, is led by Prof Dr Dorothee Richter, and supported by swissuniversities.

          


The rights of this publication remain by the author. The publication is openly accessible on the website www.on-curating.org and can be downloaded and shared under the restriction of crediting the author and/or OnCurating.org.

The Publisher is granted a non-exclusive right of use in respect of the online  publication of the work without the obligation to make use of this right. The Author is entitled to make a PDF version of the work publicly accessible online via his/her personal website, an institutional server or a suitable subject-based repository once it has appeared in book form. This usage of rights is in compliance to the requirements by the of Swiss National Science Foundation (SNSF).

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